Mini-Review: Fantastic Four: Rise of the Silver Surfer

On Fantastic Four: Rise of the Silver Surfer

The Good: The Silver Surfer looked great with and without the silver sheen, and Lawrence Fishburne's voice gave his character nobility and strength.

The OK: Chris Evans is still amusing as Johnny Storm, and there's a better team dynamic within the Fantastic Four.

The [Terribly] Bad: Doctor Doom and Galactus, two of the most powerful and terrifying baddies in Marvel comicdom, are here reduced to ridiculous caricatures of themselves. Julian McMahon portrays Doom as an immature, unsophisticated American instead of a brilliant, refined, supernaturally gifted Latverian, and Galactus is, well, a cloud. I'd have been happy with a gigantic hand or huge glowing eyes emerging from that cloud, but they can't give us even that much. I won't even go into how annoying Galactus's defeat was...

Grade: C+. It was a fun ride anyway.

Action Heroine Blog-A-Thon: Warrior Women of Asia

Through the decades of cinema, Asian action films have had various interesting faces for an ever expanding world audience: the samurai flicks of Japan (from Akira Kurosawa's Shichinin no Samurai to Takeshi 'Beat' Kitano's Zatoichi), Hong Kong's classy police thrillers/dramas (a prime example of which is Infernal Affairs), Bruce Lee's deadly martial arts showcases and Jacky Chan's kooky acrobatic escapades, Korean vengeance films (mainly courtesy of auteur Park Chan-wook), and of course, the wuxia genre of flying fighters and dancing blades. Since the release of the monumental wuxia film Hsia nu (A Touch of Zen) in 1969, with a powerful female warrior played by Feng Hsu, Asian action women have enjoyed most exposure in this genre, lending their natural fluidity and grace to dancing atop trees, over water, over seasonal changes in the elements. Asian women, with their misleading fragility and innocence, have made excellent heroines in this and other subgenres of the action/adventure mold and have given us some of the more memorable cinematic moments in recent years.

As my contribution to Film Experience's Action Heroine Blog-A-Thon, I present my list of top 5 most memorable action heroines since 2000 (any earlier and no short list would give these women justice). NOTE: This is not meant to be a shortlist of the best female performances.

5. Sammi Cheng as Wu Yen in Chung mo yim (Wu Yen, 2001)
Not many outside the fandom of Hong Kong cinema, Sammi Cheng, or both have probably heard of this film, even by its international release title Wu Yen. But many fans of HK pop superstar Sammi Cheng, reigning queen of HK showbiz, would probably be hard pressed to find a more irresistably amusing, endearing, and ass-kicking role for their idol. Cheng plays the title character, a warrior woman in the rich wuxia tradition, who has been cursed with a nasty facial birthmark, an annoying spirit obsessed with her (played by another superstar, Cecilia Cheung), and a hate-love relationship with the Emperor (acted out brilliantly by the late great Anita Mui). The film itself is mostly funny but tends to be dramatic near the end, and Cheng handles the prism of emotions--and fight scenes--remarkably well. For this role, she won a nomination from the Hong Kong Film Awards and a victory from the Hong Kong Film Critics Society Awards for Best Actress.

4. Zhao Wei as Sue in Chik yeung tin si (So Close, 2002)
Fans may be divided on who the real star was in 2002's babe action flick So Close: traditionally hot star Shu Qi, all-around star Karen Mok, or cutesy Zhao Wei. My vote goes to Zhao Wei, not only because she has the longest screentime out of all three, but she also has the greatest development in terms of character. It's a big leap from being only second to big sis Shu Qi to being the trigger-happy, blade-wielding warrior woman that she becomes in the last half of the film. And while she becomes the modern action heroine that any man would be terrified of angering, she never loses the innocent cuteness for which just as many men would want her as their lover/bodyguard.

3. Aya Ueto as Azumi in Azumi (2003)
Anime fans rejoice! Japan has released a lot of anime-inspired live-action flicks in the past, but not very many come close to the approximation of the gleeful gore, maniacal pretty boys, and vengeance driven cute girls the way Azumi does. From the very beginning, the film is filled with gratuitously visual bloodletting, and in the midst of it all is martial artist and swordswoman extraordinaire Azumi. She's an exceptionally young warrior who loses many of her friends and consequently her innocence about life early on, and Aya Ueto is a natural is showing how her character matures throughout the film. The scene where she kills off a townful of enemies near the end is priceless, but her dramatic moments are just as precious. For playing a tragic character so well in her first acting job, she was nominated by the Japanese Academy for Best Actress. They gave her the Newcomer of the Year and Most Popular Performer awards.

2. Maggie Cheung as Flying Snow in Ying xiong (Hero, 2002)
What deadly grace and beauty! The dance-like nature of wuxia battles has never been as elegantly and aesthetically captured onscreen as it was whenever Flying Snow was in a scene in the fantastic Hero. Who better to play such a tragically powerful character than the magnificent Maggie Cheung? She lends her considerable acting talent to a character with as many layers as the film has colors. Who could forget the forest duel between her and Moon (Ziyi Zhang), or the countless versions of her battle with Nameless (Jet Li)? In all that splash of color, it is Maggie Cheung's beauty and skill that shine through in every frame.

1. Ziyi Zhang as Jen Yu in Wo hu cang long (Crouching Tiger, Hidden Dragon, 2000)

While Michelle Yeoh may be the heroine of this film, there is no doubt that it was young Ziyi Zhang's spunky charisma and awe-inspiring pixie beauty that had world audiences so transfixed on a newly revived genre (wuxia). She gets to fight with almost every breathing character in Ang Lee's Crouching Tiger, Hidden Dragon, including an inn full of that region's greatest fighters (or so they think). There are moments when sympathy for her character becomes doubtful, but there are as many moments when she shows great vulnerability, and regardless of how you feel about her at first, the development of her character near the end is so intense that by the time the last sequence rolls, she has hooked you in. Ziyi Zhang has proven in later films that she is a true actor (for her best perf, watch 2046). But it was her high-flying, tragic Jen Yu that put her, wuxia, and the warrior women of Asia back on the map. The role won her too many citations to mention, but they include noms for Best Actress from the Golden Horse and Hong Kong Film Awards.

Honorable Mentions: Qiu Yuen for playing the non-nonsense, butt-kicking landlady in Kung Fu Hustle (2004), and Shin Eun-kyung for playing deadly gangster Cha Eun-jin in the Korean flick Jopog manura (My Wife is a Gangster, 2001).

Shannara!

Finally, Terry Brooks has allowed the film adaptation of his Shannara books. Warner Bros. has acquired the screen rights to the series. Oddly, they intend to start with the second book, "The Elfstones of Shannara." But it's one of the best books in the series, and I really want to see this series on screen, so what the heck.

See the full Variety article here.